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howardtayler | |
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Okay, let's start with my instructions to you: no matter how enticing I may make this film sound, do NOT spend money on it. Don't see it in the theater, and don't rent it. Buying the DVD would be a crime against humanity. For that matter, don't bother seeing it for FREE, either. Spending your TIME on this film is a crime against your employer, your family, and the Baby New Year. You would be better off using an hour and thirty-four minutes eating junk food and watching Weather Channel repeats you've accidentally TIVO'd. I'm serious. If I find out that you went and saw this film after I told you not to, I'll phone your friends up and tell them to go to your house and pour ants in your bed. And when you wake up screaming, covered in ants, you'll think "at least I'm not still watching BloodRayne." Now, on to the review... we'll start with the music. There are three credited composers here, and I'm not sure which one I should be blaming for the horrible soundtrack. Maybe somebody in post-production tripped over the tape, and introduced all the wobbly, pitch-drifting bits. Or maybe the REAL soundtrack got destroyed in a fire, and they had to settle for the sound left on bits of tape on the cutting room floor. Seriously, it's that bad, and that's just the sound quality. The composition itself was criminal – the music swelled when nothing was happening, droned tediously during the action, and led me to wonder whether the composers actually bothered to watch the movie. (I hope they didn't. The fewer casualties this film has, the better.) The cast was an amazing example of "gap" between the potential and the actual. Academy Award Winner Ben Kingsley, Michael Madsen, Billy Zane, Kristanna Loken, and Meat Loaf Aday are all capable actors. The potential for a GOOD film was there. Sadly, every last one of them phoned their parts in. Madsen in particular appears to have been brain damaged in the recent past – either that or he's trying out a new acting technique from the Bill Shatner School of Reading Fortune Cookies. I'd be inclined to blame it on the writing, or maybe on the directing, except that Madsen's a pro and should know better. Poor Ben Kingsley. When his character finally dies, lying on the ground and shriveling as staked vampires are wont to do, I couldn't help but wonder if the scene wasn't meant as a metaphor for Ben's acting career. Maybe it's what's going to happen to Ben's agent for getting him into this stinker. For most of the film Ben was required to sit in a chair, deliver wooden lines, and brood stoicly. For his fight scene he looked like he was waiting tables. The cinematography... Mathias and Michael Neumann (siblings, I assume) appear to have twigged to the "epileptic fit" setting on their steadi-cam. Calling them cinematographers does a disservice to everyone who ever submitted something to America's Funniest Home Videos and then lost. Matthias has worked with producer/director Uwe Boll on a number of other projects. I can't imagine that all of them are this bad. Perhaps bringing his brother in on this project was where he went wrong. Allow me to pause here for a moment. Some folks flame people who criticize movies by saying "you couldn't do better." It's true. I probably couldn't do better. But I know the names of a dozen people who COULD have done better – better editing, better camera work, better scoring, better writing (okay, I could do that myself) and yes, better acting. This movie appears to have been made by a group of people who are individually among the worst their fields have to offer, and who went on to inspire each other to new lows. With that out of the way... Usually films like this have at least SOMETHING to offer in terms of special effects. BloodRayne the Video Game was hailed as the bloodiest game ever, and the film tries to pay homage to that. You know how after you've been playing a violent game for a while you can sometimes see the same pattern of blood-spatter each time you messily dispatch an enemy? Well, the film got THAT bit right. It would appear that they carefully rigged the same exact blood-spewing pump for each and every gore-shot, taking especial care to make sure that each splash looked just like the last one. The writing... a good film has a certain flow to it. Some are burbling brooks, others mighty rivers. Some stagnate. BloodRayne was a dry riverbed, and the cast was required to “flow” a big rock down it. This involved repeatedly picking up said rock, moving it to the next spot, and then hurrying out of the picture. Poorly written video-games will flow better from one plot-point to another than this film did. Sure, the film is based on a video game, but it's supposed to be a MOVIE. Regarding unnecessary nudity... frankly, if you're going to make a film this bad, you almost have to put lots of skin in it in order to get somebody to see it. It's not unnecessary if it's there to make money, right? Blech. With the right soundtrack, this film could have been cut to 15 minutes and turned into low-grade fetish porn. I know how they got Meat Loaf Aday into the movie. They told him "don't bother reading the script... we're going to have you lie down on a bed with four Romanian prostitutes, and guess what! We'll use REAL prostitutes." What red-blooded, amoral, out-of-work actor could turn down an offer like that? (And yes, according to Uwe Boll, they hired prostitutes instead of actresses for Meat Loaf's scene. Apparently they're cheaper. I'm sure actresses worldwide are taking heart at THAT piece [ahem] of trivia.) If I've inadvertently made the film sound enticing, I assure you it was an accident. If you find nudity enticing, please don't be tricked. This film doesn't do that. It takes whatever beauty there is to be found in the human form and, with the help of blood-splatter, bad dialog, and the Amazing Epilepsy-Cam, leaves you feeling empty. Oh, and dirty, and impoverished by far more than the time and money you spent on the film. I'm not trying to tear this movie a new anal orifice. I assure you, the film already has SEVERAL, and it defecates simultaneously through all of them. You don't want to get any of this on you. The best possible thing now would be for BloodRayne to fail so profoundly and so expensively that Uwe Boll (who, as executive producer, is the only person on the planet stupid enough to hire himself to direct) is forced out of the film business before he can contaminate anybody else's intellectual property, whether as producer, director, or the 3rd-unit gaffer's poo-flinging donut-monkey. Tags: bloodrayne, movie reviews, video games
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From: cmzero |
Date: January 6th, 2006 06:39 pm (UTC) |
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From: wulfbyu |
Date: January 6th, 2006 06:41 pm (UTC) |
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I have to admit, at the beginning of this review I was almost slightly tempted to see this movie (though I had never previously had any remote inkling of a possibility of a desire to see it), if only due to the bizarre human psyche. Example: A person smells something absolutely terrible drifting out from around the corner, is disgusted for a moment, and then... breathes more deeply, if only for the purpose of determining whether something can actually smell that bad.
However, by the end of the review, even that inkling had been quashed.
After all, no one's gonna stick their head directly into a pile of elephant dung, no matter how curious they are.
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Forgive me for popping in unannounced, but a friend told me that someone had foolishly gone to see a Uwe Boll film, and I had to peek at your review. When I questioned why Uwe Boll keeps getting financing, I was referred to this article. Uwe does appear to be using the tax angle. It's like watching The Producers unfold in real life. Can Uwe Boll's production of Springtime for Hitler be far behind? What's frightening is not that he's made House of the Dead, is not that he's made Alone in the Dark, is not even that he's made Bloodrayne. What's frightening is that he's got five more movies in the pipeline.
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So I saw that Mr. Tayler was going to see this movie.
And, when I was kicked out of my office by a roving band of roofing sealers who were going to need the entire parking lot, I drove over to my local theater and laid out 6.25 of my hard earned dollars for this movie. I figured, if it's good enough for Howard, it's good enough for me. After all, he endured Linucon 2, and that counts for something.
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Words cannot describe how BAD this movie is...
Really. The fight scenes are utterly horrific. The shaky cam tries to mask how bad the coreography is, but it still can't overcome the fundamental woodenness. Further, there is little difference made between the human thralls and the vampires - both apparently die equally well to slashing sword blows to the chest.
The WORST part about this whole thing though, was the UTTER disregard for continuity. Vampires in obvious sunlight, riding to a shelter to "get in before dawn." The most glaring example has to be the water scene. The heroine is transported in a boat across a big lake to the Super Secret Vampire Hunter Castle (always shrouded in darkness, and conveniently in the center of a large lake where, you know, it's TOTALLY VISIBLE yet apparently a Big Secret). On the way across, the three vampire hunters in the movie debate whether to kill the heroine. The most compelling argument for her life is that "this boat ride would kill a normal vampire - she must be special - this could turn the tide for us." I'm not sure how having ONE vampire who can cross large bodies of water really helps since, you know, if the rest can't, they're all concentrated in one continent, and therefore more likely to be in easy travelling distance to back each other up, but whatever. So about 20 minutes later, when the vampires send the human thralls across the lake to attack the Super Secret Vampire Hunter Castle, who is in the lead boat? Yes, that's right, the Number One Vampire Minion. Who, despite lacking the ONE MAGICAL ITEM IN THE WORLD THAT ALLOWS VAMPIRES TO CROSS WATER is still fine. Osmosis, maybe?
The best quote I can think of though, came from the theater clean up crew. They came in about 5 minutes before the end of the movie and sat down to watch the climax. As I walked by them on the way out of the theater, one looked at me and said "if it were up to me, I'd totally refund your money right now." "Oh, did you see the whole thing?" "No, just those last 5 minutes."
If you'll all excuse me now, I'm going to go watch some QUALITY filmmaking - like Gigli or Ishtar. I'm afraid the taint won't scrub from my mind without something that caustic...
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There's something so completely satisfying to go to a film you know is going to stink, fully intending to chop it to itty bits. It's almost visceral, isn't it?
For me, it was Catwoman. I did not see this film until it had been on video for a year or more, and so I knew it was going to stink before I watched it (my mate, bless him, will watch paint dry, and since he hadn't seen this particular bit of film horror history, insisted). It was every bit as bad as I thought it would be, and I had such fun stomping all over it.
I am not a movie critic. There are a number of terrible films out there that I enjoy, sometimes to my own embarrassment, even. That said..Once upon a time, I used to say "hey, that movie was pretty good, for a comic book movie." Or, for a normal film, I would say "at least it wasn't (insert name of most recent comic book film)."
Now, though, that's all topsy-turvy. Thanks to the disaster that was Catwoman, and some pretty darn good comic book renditions on the Big Screen in recent years, my medicine for any bad film has become "Hey, at least it wasn't as bad as Catwoman."
From your description, however, I think I'll avoid Bloodrayne altogether, even for free. It sounds like my brain would implode from the pain of it. heheh
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From: leslie_r |
Date: January 7th, 2006 06:02 am (UTC) |
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